nch debut video capture software pro v1.88

Once I had that concept, I fired out a draft and revised it swiftly before submitting.

Still, I had nothing to contribute, until I was scrolling on Twitter the night before the deadline, saw a reminder from Epoch, and something triggered in my mind the word ‘Bohemia’. However, with the theme of ‘roots’, even though I had nothing that fit, and I don’t particularly feel rooted to the world, there was something about the theme that stayed with me. Usually, my process is quite strict I write the pieces I have to write, the way I want to write them, and then I try to find outlets for them. It’s quite gratifying and makes me feel less alone.ĭid you have a piece already written when you learned about Epoch’s theme, or did you write a new piece? If so, how did you approach the theme of Roots in the creation of your work? What I have found, now that some of my CNF have been published, is that exactly the things I find odd or unconventional about myself, seem to speak to readers the most. I write CNF, I think, because I respond to the strange and difficult parts of my life through writing, and sometimes I want to write specifically about these experiences, rather than fictionalise them in order to tell the story. I think this is apparent in my piece for Epoch. The fiction tends to be contemporary gothic, and although my ‘real’ life is of course not characterised as such, there is certainly a sort of melancholy gothic tone even in my CNF. I do write fiction as well as CNF, and probably my creative impulses are equally divided between the two modes. Why do you write CNF, and do you explore other genres in your work? Harling’s piece, ‘Where We’re From’, can be found in EPOCH Issue 03: Roots, available to purchase here.

Nch debut video capture software pro v1.88